Blockquote
Mauris eu wisi. Ut ante ui, aliquet neccon non, accumsan sit amet, lectus. Mauris et mauris duis sed assa id mauris.
Duis non justo nec auge
Mauris eu wisi. Ut ante ui, aliquet neccon non, accumsan sit amet, lectus. Mauris et mauris duis sed assa id mauris.
Vicaris Vacanti Vestibulum
Mauris eu wisi. Ut ante ui, aliquet neccon non, accumsan sit amet, lectus. Mauris et mauris duis sed assa id mauris.
Vicaris Vacanti Vestibulum
Mauris eu wisi. Ut ante ui, aliquet neccon non, accumsan sit amet, lectus. Mauris et mauris duis sed assa id mauris.
Vicaris Vacanti Vestibulum
Mauris eu wisi. Ut ante ui, aliquet neccon non, accumsan sit amet, lectus. Mauris et mauris duis sed assa id mauris.
The July 20 shooting spree at a midnight screening of The Dark Knight Rises in Aurora, Colo., seems ultimately to have had a relatively modest impact on the release of the superhero blockbuster, at least in terms of its box-office performance. But it has thrown a major wrench into Warner Bros.’ plans for another 
Look at some of the most broadly popular sitcoms of all time. Would you say that Friends or Cheers or All in the Family were not sophisticated? Of course not. What Greenblatt seems to mean in his formulation is that “broadening” is actually a process of programming shows that are less personal visions of the world by their creators, and more big, easily grasped concepts packaged as big-laff heart-warmers. At least, that’s the impression I get from seeing the pilots of the shows on NBC’s fall schedule, including Animal Practice, Men With Babies, Go On, and The New Normal.
Earlier this month, director Peter Jackson teased the crowd at Comic-Con with the news that he was interested in shooting additional material beyond his planned two-part adaptation of J.R.R. Tolkien’s fantasy epic The Hobbit. “There’s other parts of the story that we’d like to tell that we haven’t been able to tell yet,” he said. But as to the question of whether that extra footage could potentially translate into an actual third Hobbit film, Jackson wouldn’t go that far. “It’s very premature,” he said. “The discussions are pretty early.”
Popcorn was sold. Seats were taken. A movie was shown. But it was anything but business as usual for The Dark Knight Rises' opening day.
What?! No best comedy series Emmy nomination for Parks and Recreation? Community? Nothing for Mad Men‘s John Slattery?
By which I mean, for example, that even if your favorite sitcom didn’t get a best-sitcom nom (Louie!), Louis C.K. picked up actor, writer, and directing nominations. The key achievement this year is that the nominating process managed to find categories for a much wider array of interesting shows, new and old, to acknowledge in some way. And while we can moan about nominations for performers in shows that did not serve them, or us, well (Kathy Bates inHarry’s Law? Again? this past, lumpy season of Dexter for Michael C. Hall? and you knowParks and Recreation deserved Curb Your Enthusiasm‘s slot), there is a lot of new blood among the nominees to be heartened by.
On Sunday night, the first installment of the USA network miniseries Political Animalspremiered opposite the fourth episode of The Newsroom. Both offer big-canvas portraits of workplace environments that fascinate the media (politics and, well, the media); both star actors who normally don’t “do” television (Sigourney Weaver; Jeff Daniels); both come from producers who’ve done interesting TV work in the past (Everwood and Jack & Bobby from Greg Berlanti; The West Wing and SportsNight from Aaron Sorkin). While no one would argue that Sorkin’s resume doesn’t carry more weight (a feature film career that includes The Social Network, A Few Good Men, and Moneyball — of which I really liked two out of three — will do that for a fella), Berlanti’s work here feels fully up to the level of Sorkin’s latest as fast-paced entertainment. It’s also received better reviews in the most prominent outlets.
